St. Alphonsus Parish is staffed by the Redemptorists, who have a great devotion to Our Lady under the title of Perpetual Help. The weekly novena prayers to Our Mother of Perpetual are prayed every Tuesday after the 8:30 a.m. Mass. You will find a beautiful shrine to Our Lady in St. Alphonsus Church.
The "Our Lady of Perpetual Help" icon is popular among both Catholics and non-Catholics. In 2001, Pope John Paul II presented an icon of Our Lady of Perpetual Help to a Muslim cleric on the first visit of a Pope to a mosque.
Look at the copy of the picture. Frightened by the vision of
two angels showing Him the instruments of the Passion, the Christ Child has run
to His Mother, almost losing, in His haste, one of the tiny sandals. Mary holds
Him in her arms reassuringly, lovingly. But notice her eyes. They look not at
Jesus, but at us. Is this not a touch of genius? How better express Our Lady's
plea to us to avoid sin and love her Son?
The origin of the Our Lady (Mother) of Perpetual Help icon
is uncertain, although many have thought that it was painted by St. Luke and
venerated in Constantinople until that Holy City fell in 1453. The Byzantine
style and Greek lettering are consistent with an icon of Eastern origin.
While we may not know the exact origins of Our Mother of Perpetual Help, we do
know the next part of the story, from the original picture itself. A parchment
attached to the painting tells the story of how it got to Rome.
According to this record, a merchant from the island of Crete heard stories of
many miracles that occurred around a fabulous painting on the island. Wanting
this power for himself, he stole the painting and packed it away with his other
wares. His travels led him, and the stolen picture, to Rome, where he suddenly
fell ill. As he lay dying, he told the whole story of the stolen picture to his
friend, a Roman, who was caring for him during his illness. His last request was
that the Roman take the picture and have it placed in a church where it would
help many people.
The Roman's wife, however, put the picture in her bedroom. Mary made her
opinion of this situation known by appearing to the Roman in a series of visions.
Each time, she asked him to stop hoarding the picture and start sharing it with
others. And each time, the Roman ignored her. After being rejected by the
adults, Mary visited their six-year-old daughter. The daughter announced that
Mary had commanded that the picture be placed in a church between St. Mary Major
and St. John Lateran - a church called St. Matthew's. At last, the Roman
obeyed, and the picture was placed in the care of the Augustinians on March 27,
1499.
It's hard to understand why Mary would choose such a place to be honored. St.
Matthew's was a small church in a barren place far from the center of the city.
Yet the rich and the poor, the powerful and the lowly alike, traveled the rough
stone path to the church to seek comfort from Our Mother of Perpetual Help and
to learn from her humility.
One man, however, was not impressed. In 1798, Napoleon's general ordered the
destruction of thirty churches when the French invaded Rome. St. Matthew's was
one of them. After the soldiers left, those who loved Mary searched the ruins
but could find no trace of the picture. There seemed to be no doubt that their
beloved picture had perished with the church.
Almost half a century later and miles away, an altar boy named Michael Marchi
listened to a sacristan's tales of the past. The sacristan, named Augustine
Orsetti, pointed to a picture of Mary in the chapel and said, "See that picture,
Michael? It is old, very old. It used to hang in St. Matthew's Church, where
many people came to pray to the Mother of God." The painting, he said, had been
rescued at the last minute, hidden from the marauding general in a humble cart,
and transported secretly to this chapel. "Remember that," the sacristan told
him. Michael Marchi remembered.
Years later, Father Michael Marchi, by then a Redemptorist, was in Rome. In
1853, Pope Pius IX commanded the Redemptorists to establish their world
headquarters in Rome.
After much searching and prayer, the Redemptorists bought a huge estate. When
they inspected their new property, they found a house, barns, stables, gardens
and the ruins of an old church. Inquiring into the history of the church, the
Redemptorists learned that its name was St. Matthew's, and that it once had
housed a miraculous painting, a painting that had been lost.
Even as they ruefully shook their heads at the loss of such a treasure, Father
Michael stunned his associates by telling them that not only did the picture
still exist, but he knew where it was.
After three years of prayer, the Redemptorists decided to ask that the picture
be brought back to Rome. When they told Pope Pius that it was Mary's own wish
that she be enshrined between St. Mary Major and St. John Lateran - where the
Church of St. Alphonsus now stood - the Pope immediately commanded the return
of the painting. Flowers and banners greeted Our Mother of Perpetual Help on
April 26, 1886, and miracles attended her procession - including the cure of a
four-year-old boy suffering from a brain illness. After 75 years, Our Mother of
Perpetual Help had finally returned home.
But Pius IX didn't give the picture to the Redemptorists as a gift. He gave it
to them as a mission. He told them, "Make Our Mother of Perpetual Help known
throughout the world." The Redemptorists embraced this command wholeheartedly by
distributing reproductions of her picture and talking about her in missions and
homilies around the world.
Their efforts yielded impressive results. By the turn of the century, 1.8
million Spaniards belonged to the Archconfraternity of Our Mother of Perpetual
Help, ten thousand shrines and altars were dedicated to her in France, and
devotions in her honor were observed in several thousand churches all over
America. These services, or novenas, of Our Mother of Perpetual Help drew
thousands of people. Churches in St. Louis, New Orleans, Detroit, Chicago, and
Boston had to hold eight or ten services a day to accommodate everyone who
wanted to honor Mary and in New York, the service was even broadcast over the
radio.
Adopted with permission from Liguori Publications